Edoardo Lazzari is an independent curator, educator, and PhD student at the University La Sapienza in Rome, where he investigates assembly devices within performative artistic practices, understood as processes that establish reality, ecological methodologies, and political practices of coexistence between bodies.

In recent years, he has curated and led public programs, pedagogical, and participatory projects in museum institutions (Palazzo Grassi - Punta della Dogana, Peggy Guggenheim Collection, La Biennale di Venezia, MUDAM Luxembourg) and beyond (Biennale Urbana, Catalysi Festival, Venere in Teatro, Fondazione Lac o Le Mon). He collaborated with Piersandra Di Matteo on the creation of the book performance + curatela (Luca Sossella Editore, 2021) and translated Bernard Voilloux’s essay Palcoscenici Fantasma. Gisèle Vienne (Nero Editions, 2022). His writings have been published in academic journals such as Biblioteca Teatrale, TURBA Magazine, Culture Teatrali, Polèmos, and OFFICINA, as well as in Antinomie, Cut/Analogue, and Opera Viva, and in publications like Training for the Future (Sternberg Press, 2022), Civitonia (Nero Editions, 2022), and Scrivere in Residenza (Biennale di Venezia/bruno, 2018).

In 2019, he co-founded the artistic and curatorial platform Extragarbo. He lives and works in Venice, where he co-managed and curated the cultural space Bardadino (2020-2023) and regularly collaborates with the Iuav University of Venice in the Master’s program in Theatre and Performing Arts and in the Movies – Moving Images Arts Master.