Royal Divorce presents Museologically Speaking, an investigation of the museum as a space of regulated behavior, where bodies, gaze, and movement are shaped by invisible yet deeply embedded structures of meaning. Museologically Speaking examines the tensions running through the contemporary museum apparatus, questioning its function as archive, site of knowledge transmission, and performative space.

The research focuses on the analogies between the ethnographic museum and the contemporary art museum, both defined by a shared spatial and symbolic grammar manifested in their relationship with the public, the embodiment of institutional roles, and the construction of itineraries governed by precise behavioral hierarchies. Museologically Speaking seeks to explore the modes of movement control within museum spaces, with particular attention to the guided tour as a performative device, a tool of mediation, and a site for negotiating seemingly unquestioned truths.

Through a practice that intertwines the body and institutional critique, Museologically Speaking investigates how the museum disciplines presence and organizes collective experience, while opening up possibilities for misalignment, ambiguity, and the temporary redefinition of the rules of spectatorship and engagement.