
10/09 — 31/12/2026
Maja Bojanić
10/09 — 31/12/2026
Fellowship
Maja Bojanić project unfolds through the Institute for Mold Preservation, a fictional laboratory that asks what preservation might look like if processes of decay, rather than prevailing notions of value, governed what counts as worth keeping. The Institute investigates, monitors, and studies the spread of black mold within museums, galleries, libraries, archives, and their storage spaces. Through site-specific performative storytelling, she situates the Institute across different formats and contexts, using it to leak information gathered about local rot. Its activities take the form of installations, videos, publications, lectures, and fabricated research materials that blur the boundaries between scientific documentation, institutional discourse, and fiction.
Black mold becomes significant precisely through its resistance to control: repeatedly eradicated in the name of preservation, it nevertheless persists. Rather than understanding decay as synonymous with loss, Maja Bojanić considers deterioration and transformation as processes capable of producing new meanings and relationships. The project therefore opens up possibilities for forms of preservation that accommodate instability, change, and disappearance rather than attempting to prevent them.
Photo: Maja Bojanić & Brin Žvan, Struggles Beyond Repair, 2025, extended video game. Photo: Katja Goljat / Društvo LJUDMILA, Ljubljana.
Maja Bojanić (1997) is an intermedia artist whose practice spans installation, video, performance, and, more recently, video games, while remaining primarily rooted in storytelling. She investigates how narratives acquire, sustain, or erode authority, and how institutional, archival, and bureaucratic structures shape what is preserved, remembered, or erased.
Her work has been presented internationally in exhibitions, screenings, and performances at institutions and venues including the Museum of Contemporary Art Metelkova (+MSUM), the Museum of Contemporary Art Zagreb, AMRO Festival, Kunstverein Gartenhaus, osmo/za, Out of the Blue Cinema, Mumok Cinema, bb15, Škuc Gallery, VBKÖ, Nova Gorica City Gallery, the Museum of Fine Arts in Osijek, aqb, and P74 Gallery, where she was twice nominated for the OHO Group Award (2023, 2024). She has participated in residencies in Ljubljana, Budapest, and Prizren, and holds a BA in Sculpture from the Academy of Fine Arts and Design in Ljubljana (2020) and an MA in TransArts from the University of Applied Arts Vienna (2025). She lives and works in Ljubljana.